Blank verse can be composed in any meter and with any amount of feet per line (any line length), though the iamb is generally the predominant foot. Along with the iamb are 3 other standard feet and a number of variations that can be employed in a blank verse poem.
www.uni.edu/~gotera/CraftOfPoetry/blankverse.html www.uni.edu/~gotera/CraftOfPoetry/blankverse.html
Blank verse - Wikipedia, the free encyclopedia
Blank verse is a type of poetry, distinguished by having a regular meter, but no rhyme. In English, the meter most commonly used with blank verse has been iambic pentameter (as used in Shakespearean ...
en.wikipedia.org/wiki/Blank_verse
Blank verse is a form of poetry, obviously. What sets it apart from all the other forms is the fact that blank verse does not rhyme.The meter is usually iambic (a pattern of unstressed syllables followed by stressed), and pentameter ( a line consisting of five feet).
library.thinkquest.org/3721/poems/forms/blank.html library.thinkquest.org/3721/poems/forms/blank.html
Blank verse is written in unrhymed ("blank") lines of iambic pentameter. ... Because it approximates the natural rhythms of English speech, blank verse became the standard meter for poetic drama (as in Shakespeare) after its first appearance in 1540;
web.uvic.ca/wguide/Pages/LTBlankVerse.html web.uvic.ca/wguide/Pages/LTBlankVerse.html
blank verse n. Unrhymed verse having a regular meter, usually of iambic pentameter. ... History of English blank verse ... Blank verse is a type of poetry, distinguished by having a regular meter, but no rhyme. In English, the meter most commonly used with blank verse has been iambic pentameter (as used in Shakespearean plays).
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To make a study of blank verse alone, would be to elicit some curious conclusions. It would show, I believe, that blank verse within Shakespeare's lifetime was more highly developed, that it became the vehicle of more varied and more intense art-emotions than it has ever conveyed since;
www.bartleby.com/200/sw8.html
Shakespeare's blank verse ... Blank verse, the basic pattern of language in Shakespeare's plays, is (in its regular form) a verse line of ten syllables with five stresses and no rhyme (hence "blank"). It was first used in England by Henry Howard, Earl of Surrey* in his translation of the Æneid (c.1554).
internetshakespeare.uvic.ca/Library/SLT/literature/blan... internetshakespeare.uvic.ca/Library/SLT/literature/blankverse.html
Blank verse-not to be confused with free verse consists of successive lines of unrhymed iambic pentametcr. It is the verse of Paradise Lost and has been widely used in dramatic literature, most notably in the plays of Shakespeare.
www.tnellen.com/cybereng/blank_v.html www.tnellen.com/cybereng/blank_v.html
But the third peculiarity which distinguishes the accomplished blank verse of Shakespeare is the most important of all. It is the mastery—on good principles of English prosody from the thirteenth century onwards, but in the teeth of critical dicta in his own day and for centuries to follow—of trisyllabic substitution.
www.theatrehistory.com/british/shakespeare023.html