Blackwell, Marilyn Johns. Gender and representation in the films of Ingmar Bergman Columbia, SC, USA: Camden House, c1997. MAIN: PN1998.3.B47 B63 1997 ... Female spectactors [sic]: looking at film and television Edited by E. Deidre Pribram. London; New York: Verso, 1988. Series title: Questions for feminism.
www.lib.berkeley.edu/MRC/womenbib.html
Putting the problematic racial depiction aside, what really fascinated me was the representation of gender performances intertwined with the dichotomy between nature and technology. Kong is a stand-in for ... The crew's masculinity comes out in trying to preserve the female while Kong's masculinity is tamed by the female.
www.zephoria.org/thoughts/archives/2006/01/11/gender_re... www.zephoria.org/thoughts/archives/2006/01/11/gender_represen.html
gender stereotypes, domestic abuse, hegemonic criticism, fantasy-themed criticism ... "Entertainment or Oppression: Male and Female Representation in Films About Domestic Abuse" Paper presented at the annual meeting of the NCA 94th Annual Convention, TBA, San Diego, CA, Nov 20, 2008 <Not Available>.
www.allacademic.com/meta/p256865_index.html
There are, however, some films from this period that defy this formula. ... There is the obvious gender representation of the patriarchal male and prostitute/saint female but there is also a certain level of resistance and of androgyny that breaks away from the traditionally assigned gender roles of Turkish society.
www.allacademic.com/meta/p12319_index.html
Representation as Social Reproduction ... Among these films, The Burning Bedstands out as a landmark in media representations of gender violence because of its perspective and narrative strategy. ... Indeed, these films are exemplary narratives of female disciplinary control and resistance. They are, in that sense,
www.genders.org/g32/g32_rapping.html www.genders.org/g32/g32_rapping.html
International Female Film Directors: Their Contributions to the Film Industry and Women’s Roles ... 3. Dorothy Arzner: Feminism and Gender Representation 19; 4. Leni Riefenstahl: Her Recognized Brilliance and Infamous Legacy 31; 5. Lena Wertmüller: The Strong Political Voice and Gender 55; Representation in her Films;
digitalcommons.uconn.edu/cgi/viewcontent.cgi?article=10... digitalcommons.uconn.edu/cgi/viewcontent.cgi?article=1004&context=srhonors_theses
While Mirch Masala (1985), set in pre-Independence rural India, is able to draw upon a mythology of nationalist resistance, which also, at the same time, 'sanctions and mediates the potentially subversive politics of female resistance', later films like Zakhmi Aurat (1988) and Damini (1993) qualify women's...
ijg.sagepub.com/cgi/content/short/7/2/231
This dissertation is about the horror genre and gender representation in horror films. Remakes and original horror films are compared as a way of analysing differences between gender representation in two different filmmaking eras: the 1970s and the 90s/today. ... The original films: Night of the Living Dead (Romero,
dissertations.port.ac.uk/184/
India; Critique; Rape; Female Role; Gender Issues; Film and Video; Asia, Southern; Asia; Developing Countries; Crime; Social Problems; Social Behavior; Behavior; Mass Media; Communication ... INDIAN JOURNAL OF GENDER STUDIES, 2000 Jul-Dec;7(2):231-48.
www.popline.org/docs/1368/156311.html
mainecooncattery.net/gpdhi/representation.php mainecooncattery.net/gpdhi/representation.php