The Birth of Tragedy - Wikipedia, the free encyclopedia
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The Birth of Tragedy from the Spirit of Music ( Die Geburt der Tragödie aus dem Geiste der Musik , 1872) is a 19th-century work of dramatic theory by the German philosopher Friedrich Nietzsche. I...
en.wikipedia.org/wiki/The_Birth_of_Tragedy
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Apollonian and Dionysian are terms used by Nietzsche in The Birth of Tragedy to designate the two central principles in Greek culture. ... Apollonian and Dionysian are terms used by Nietzsche in The Birth of Tragedy to designate the two central principles in Greek culture. The Apollonian, which corresponds to Schopenhauer...
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www.historyguide.org/europe/dio_apollo.html
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The Greek tragedies of Aeschylus and Sophocles, which Nietzsche considers to be among humankind’s greatest accomplishments, achieve their sublime effects by taming Dionysian passions by means of the Apollonian.
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www.sparknotes.com/philosophy/nietzsche/section1.html
www.sparknotes.com/philosophy/nietzsche/section1.html
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Friedrich Nietzsche ... We will have achieved much for the study of aesthetics when we come, not merely to a logical understanding, but also to the immediately certain apprehension of the fact that the further development of art is bound up with the duality of the Apollonian and the Dionysian, just as reproduction depends...
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www.denisdutton.com/nietzsche.htm
www.denisdutton.com/nietzsche.htm
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Watcher Junior Issue 1 July 2005 5 Christopher M. Culp "What does it take to strike a spark?" Nietzsche's Apollonian/Dionysian Balance in Buffy [17] In Season 6, Buffy is shown thrown out of balance again, this time towards Apollo.
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www.watcherjunior.tv/01/pdf/culp.pdf
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Nietzsche invokes a pseudo-historical account of when the Apollonian Greek first confronted the Dionysian Greek (the evolved product of the Dionysian barbarian) as a way of legitimizing the Dionysian's natural and inherent reality.
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www.theandros.com/cultrite.html
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www.calvertonschool.org/waldspurger/pages/apollonian_an...
www.calvertonschool.org/waldspurger/pages/apollonian_and_dionysian.htm
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This essay explores the relationship between Nietzsche’s Dionysian-Apollonian distinction and the role of Socratic Rationalism in Greek tragedy. It is argued that the two reciprocal forces of the Dionysian and the Apollonian are mutually necessary and their roles are equally fundamental to the spirit of tragedy.
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www.coursework.biz/Essays/University/Philosophy/70/
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This paper initially looks at Nietzsche's two different concepts of music: Apollonian and Dionysian, named after the two Greeks gods Apollo and Dionysus. ... In coming to terms with a Dionysian view, Nietzsche's elaboration of how one perceives and relates to music will be regarded both on its own terms and in the context...
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www.eric.ed.gov/ERICWebPortal/recordDetail?accno=EJ8157...
www.eric.ed.gov/ERICWebPortal/recordDetail?accno=EJ815702
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