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The alienation effect, the key to successfully portray one of Brecht’s plays, was achieved through many steps. The actors on stage used their bodies and voices to make the audience connect with the characters, although not completely.
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Distancing effect - Wikipedia, the free encyclopedia
The distancing effect (German: ) is a theatrical and cinematic device coined by playwright Bertolt Brecht "which prevents the audience from losing itself passively and completely in the character cr...
en.wikipedia.org/wiki/Distancing_effect |
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Bertolt Brecht - Wikipedia, the free encyclopedia
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Hutchinson encyclopedia article about Alienation effect. Alienation effect. Information about Alienation effect in the Hutchinson encyclopedia. ... (redirected from Alienation effect)
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His concept of the Verfremdungseffekt, or V-Effekt (sometimes translated as 'alienation effect') centered on the idea of "making strange" and thereby making poetic.
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The production took the subject matter and the incidents shown and put them through a process of alienation: ... What is 'natural' must have the force of what is startling. This is the only way to expose the laws of cause and effect. People's activity must simultaneously be so and be capable of being different.
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You are here: CourseworkBank : IB (International Baccalaureate) : World Literature Section One : The use of the 'alienation effect' in Jean Anouilh's Antigone and Bertolt Brecht's Mother Courage an...
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But Katie Mitchell’s revival in the NT Lyttelton elevates it into something else: a brilliant, updated (with instant video replay, projections, microphones and music) application of Brecht’s alienation effect in considering the slippery identity of an all-purpose 1990s woman.
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Double, O and Wilson, M (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5.
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alienation effect A term derived from the theory and theatre practice of the German Marxist playwright and poet, Bertolt Brecht (1898-1956). Brecht sought to discover ways of dramatizing Marx's insights into the operation of capitalism and spoke, with this in mind, of creating a 'dialectical theatre' (Brooker 1988).
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