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A chant, if its style, composition, and execution prove it suitable for liturgical use, may properly be called liturgical chant ... Taking these words in their ordinary acceptation, it is easy to settle the meaning of "liturgical chant".
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Under this name we understand all the books, published by the authority of any church, that contain the text and directions for her official (liturgical) services. It is now the book that forms the standard by which one has to judge whether a certain service or prayer or ceremony is official and liturgical or not.
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Christian music - Wikipedia, the free encyclopedia
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Liturgical chant became an integral part of Christian worship since Apostolic times in agreement with the admonition of St. Paul: "With gratitude in your heart sing psalms, hymns, and spiritual songs to God" (Col.
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Liturgica.com presents an experience and a comprehensive understanding of the development of liturgical worship and music in the Judeo-Christian traditions. Liturgical music and books can be purchased from the Liturgica Web Store. ... Byzantine Chant...
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Plainchant - Gregorian chant - Gregoriaanse muziek: English version ... Schola Antiqua of Chicago Schola Antiqua of Chicago is the city's premier organization dedicated to the study and performance of western liturgical chant and early polyphony dating from the ninth through fifteenth centuries.
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The purpose of this page is to provide introduce and provide resources for all those interested in liturgical chant. The references for liturgical chant provided here focus on the Carpatho-Ruthenian chant tradition (Prostopinije - Plain Chant).
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The earliest documents of our liturgical chant are from the eleventh century. The music in these documents is expressed by symbols above the text (see number one on page 55 below). It should be noted that the symbols used differ from those used by the Greek Church.
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The ensemble Akn works to revive and develop the traditional interpretation of Armenian liturgical chant. ... The performances of the ensemble reflect the work developed since 1990, which culminated in the creation of the Centre for Armenian Liturgical Chant Studies, founded in 1998 in Paris by Aram Kerovpyan.
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Being nothing more than a prayer in song, liturgical chant remained, despite its doctrine, its musical theory, or other rules which it necessarily contained, a natural expression of these people who, after all, belonged to a nation who did not hesitate to sing at any opportunity.
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